![]() ![]() Fashion and Eroticism shows how the New Look of "sexy" modern naturally from within the pre-war world of fashion and not as part of an intifashion movement. Even the notorious corset was neither fetishistic nor an unhealthy instrument of torture, she argues, although its comlex and ambivalent sexual symbolism aroused controversy. ![]() She shows that, far from being passive "sex objects," Victorian women, like their modern counterparts, themselves chose to emulate an erotic ideal as an aspect of their own self-fulfillment. Yet Valerie steele demonstrates that eroticism formed the basis for the Victorian ideal of feminine beauty and fashion-indeed, that the concepts of beauty and fashion are essentially erotic. This situation supposedly persisted until the Women's Rights Movement and World War I forced the world to acknowledge that women were liberated individuals with legs. ![]() The traditional image of the Victorian woman presents her as strait-laced and prudish, her clothing an outward sign of her sexual repression and exploitation. (The traditional image of the Victorian woman presents her.) Fashion and Eroticism: Ideals of Feminine Beauty from the Victorian Era Through the Jazz Age ![]()
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